Sunday, August 12, 2012
Making and Remaking
I have been writing about this project all summer it seems. I started out with the quilt on the left, the one I wrote about last time. I was very happy with it until I found out the black fabric on the back was going to run all over the place, that it would become the Usain Bolt of fabrics. So I decided I would make another one, a new road with new stick figure skeletons all over it. In this picture the new one was just out of the long arm frame. I quilted both with the same idea of many small picture frames, like those on a wall of ancestors and family photos.
The hard part, I found, was to stay present, to remain emotionally engaged during the remake. As I have said so many times before, you can do anything with a quilt, but each cut and each seam and each quilting stitch has to be the most important thing in your world. I always go off the rails when I think I can just cruise along doing anything, without committing fully to the moment.
I worked at it, however, and used the weird skill of skeleton/stick figure making I had acquired making the first one to choreograph slightly crazier and slightly more conflict fueled actions. I even have a small battle of sorts in the upper middle where the curve is so tight I wasn't sure I could make everyone fit. Maybe because I have teenagers at the moment, or maybe because it is a presidential election year, I had no trouble hooking into a feeling of conflict and weariness in those characters.
Now I do not know what will happen next, only that I have two quilts to deal with now where I meant to have only one. It is possible that I could use this as a starting point for a series of skeleton quilts, but I think I want to go somewhere else with my next quilts.
When I start to get discouraged about things like this, the world will often tell me what to do next. This time I got a message from the Shelburne Museum that the director had signed off on buying my quilt that is on display there, "The Rule of Three."
This is a quilt I made only for myself, based on some ideas I had about memory, longing, and certain fabrics. Maybe that is the way to go: making things only to please myself. Hmmm.
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I can see how difficult it would be to remain emotionally present during the remake. Love hearing your stories!
ReplyDeleteI wonder if the first quilt with the black fabric that is "going to run all over the place" will add a sort of new dimension to the quilt after washing? Have you considered tying it up before washing to add a tie dye effect?
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